1. vielmond:

    You’re getting tired of seeing her on you dash, aren’t you? But I had to reblog this analysis of her made at Sartorially Smart Heroines! Jack has a keen eye to detail, and it was a true delight to read his impression of her.

    If you want to see gorgeous artworks and cleverly written articles about adventurers who wear other clothes than chainkinis check out their blog and tumblr.


    Mauve, Witch of the North, by Camila Vielmond

    Made me laugh when I asked Camila permission to use Mauve for Sartorially Smart Heroines and she warned me: “Mauve is no heroine, she falls somewhere between the anti-hero and villain archetypes.” Which is perfectly fine with me: I admire good villainesses and keep intending to show them more love on the blog. (I’m always open to requests, folks. If you have a smartly dressed villainess you’d like to see, feel free to let me know!)

    "[M]agnificent, mischievous bastard," was the description Camila gave for the charming Mauve, and I like to think Cam succeeded in this portrayal. Our clever caster looks rough—-battered even—-but in no way a victim. The scars on her face likely came from fights she started (and probably finished). All in all, I see in her a tough, smart, self-reliant character: qualities I admire and look for in heroines and villainesses alike.

    (Click for full discussion)

  2. semaev:

    Space bugs 

    (by Yoyo The Ricecorpse)

    DESIGN STORY:  | Tumblr | Twitter | Facebook | Google+ |

    (via erens-bootylicious-bum)

  3. yaaynature:

    Lahore Pigeons

    (via sebright)

  5. rorschachx:

    Bonsai trees, Sitka, Alaska | image by dailyartmasomenos

  6. nomadicvision:

    Medieval Light on Flickr.

    Lucca lines - Tuscany, Italy.

  7. oxlips:

    遺跡 by Hsuan-Yu Peng on Flickr.

    (via sebright)

  8. (Source: noniol)

  9. reptilesrevolution:

    Lizard Oddities 

    (via cherryqueenx)

  10. really-shit:

    French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.

  11. stories-yet-to-be-written:

    Before They Pass Away by Jimmy Nelson: Ladakhi

    “The land is so harsh and the passes so numerous, that only the best of friends or the worst of enemies would visit you”.

    Ladakh (meaning ‘land of the passes’) is a cold desert in the Northern Indian state of Jammu and Kashmir. It is divided into the mainly Muslim Kargil district and the primarily Buddhist Leh district. The people of Ladakh have a rich folklore, some of which date back to the pre- Buddhist era. As the Himalayan farming season is short, Ladakhi only work for 4 months of the year. All ages can join in and help. During the 8 winter months work is minimal and festivals and celebrations are almost a continuous affair, giving them the opportunity to display Goncha, the traditional dress.

    (via killallskellys)

  12. taniakerins:

    I was asked by my university to be one of the 22 chosen to represent my  course. So I made these and will be exhibiting them on the 2nd -5th of July in the New Designers exhibition in London.

    They’re all fingerpuppet sized, so the tip of your index finger is about the scale of a human head here.

    There are another 10 masks I wanted to make, but with two weeks available, it wasn’t going to happen!

  13. viivus:

    I’ve been experimenting with bees and gold ink! Also my scanner crapped out, which is just as well because the ink looks better photographed than scanned.

  14. thelastjackalope:

    Golden Retriever / Siberian Husky mix

    That is seriously the cutest puppy I’ve ever seen.

    (via faluliai)

  15. romkids:

    The Ishtar Gate And The Animals It Holds

    The Ishtar Gate is a part of the fortified walls that surrounded the ancient city of Babylon. The Ishtar Gate was actually the eighth and final gate into the city and served as the city’s main entrance. Pictured is a reconstruction of the Ishtar Gate from Berlin’s Pergamon Museum. They were built by King Nebuchadnezzar in 575 BCE as part of his plan to beautify his capital city. Just like any modern-day city beautification project, the Ishtar Gate was just a part of a series of construction projects that included restoration to the Temple of Marduk and the world famous Hanging Gardens of Babylon.

    The Gate stood as high as 11.5 metres in some places and was decorated all over with glazed brick tile reliefs. The mosaics that these bricks formed depicted creatures of importance to the Mesopotamian world, whether these animals were real or mythical.


    The ‘striding lion’ wall relief in the ROM’s collection is just one example of the many animal mosaics that decorated this palace. On display in the ROM’s Mesopotamia Exhibition, this panel was just one of many that covered the walls of the Ishtar Gate and Processional Way. The lion was of particular importance since it was the animal commonly associated with Ishtar, the Mesopotamian goddess of love and war.


    Another animal that graced the walls of the Ishtar Gate was the aurochs. This is a now-extinct type of large cattle that inhabited Europe, Asia and North Africa. As with the lion, the aurochs had an association with a god that made it especially significant to the Mesopotamian world. The aurochs was commonly associated with Adad, the Mesopotamian god of weather and storms, who was commonly seen riding atop a bull.


    The third and final creature that could be found on the Ishtar Gate was the mušḫuššu (also known as sirrusu or sirrush), an animal out of Mesopotamian mythology. Just as with creatures like the gryphon or the sphinx, the sirrush was a combination of many different features rolled into one animal. It combined the scaly body of a dragon with feline front paws and eagle’s talons for hind legs. As if this wasn’t intimidating enough, the creature also had a snake’s tongue as well as a horn and crest atop its head.

    Interestingly enough, when the sirrush was first seen on the Ishtar Gate in 1902 by German archaeologist Robert Koldewey, he believed it to be the portrayal of a once-real animal. This was due in part to the fact that the depiction of this creature remained consistent throughout many years of Mesopotamian art but more importantly because the sirrush was depicted alongside the aurochs and lions, two existing animals. While it was eventually correctly identified as a mythological creature, it serves as an interesting case of cryptozoological speculation. 

    The Processional Way

    Through the actual Ishtar Gate was the Processional Way, which was a vast corridor stretching roughly 800 metres long and walls about 15 metres high. The walls of the Processional Way were similarly adorned with glazed tile reliefs of lions, flowers and other decorative elements.

    In Dedication

    On the Ishtar Gate, there was a dedication plaque attributed to King Nebuchadnezzar II outlining the reasons why he built it:

    Both gate entrances of Imgur-Ellil and Nemetti-Ellil following the filling of the street from Babylon had become increasingly lower.

    Therefore, I pulled down these gates and laid their foundations at the water table with asphalt and bricks and had them made of bricks with blue stone on which wonderful bulls and dragons were depicted.

    I covered their roofs by laying majestic cedars length-wise over them. I hung doors of cedar adorned with bronze at all the gate openings.

    I placed wild bulls and ferocious dragons in the gateways and thus adorned them with luxurious splendor so that people might gaze on them in wonder

    I let the temple of Esiskursiskur (the highest festival house of Marduk, the Lord of the Gods a place of joy and celebration for the major and minor gods) be built firm like a mountain in the precinct of Babylon of asphalt and fired bricks.

    A Wonder Of The World

    One of the coolest things I learned in reading about the Ishtar Gate is that when it was first built, it made the original list of the Seven Wonders of the Ancient World. While it was later bumped from its spot by the Lighthouse of Alexandria, it was still recognized as one of the most spectacular and awe-inspiring objects in the world at its time. After the gates were replaced on the list by the Lighthouse of Alexandria, there were still some figures (notably Callimachus of Cyrene and Antipater of Sidon) who felt the Ishtar Gate deserved the recognition which had been taken away.

    I just find it fascinating that thousands of years ago, in a time before social media and award shows, there were still people arguing over top 10 lists.

    More information

    Image credits

    1. Marco Marini, “Door n. 2” March 17, 2007 via Flickr, Creative Commons Attribution.
    2. JoeLosFeliz, “Ishtar Gate (detail)” April 29, 2013 via Flickr, Creative Commons Attribution.
    3. Badly Drawn DadAurochs” via Flickr, Creative Commons Attribution.
    4. Allie Caulfield, “Berlin 313 Pergamon Museum, Ischtar Tor, Detail” October 14, 2012 via Flickr, Creative Commons Attribution.

    Post by Chris Miller, ROMKids Studio Assistant. Last updated: September 27, 2013.

    (via ancientart)